Aquest protagonista absent, - no és l’únic cas, sí això ja està fet, (Rebeca?)- és com una ombra que dona profunditat a la novel·la.
M’atreveixo a dir que Nabokov ja escrivia molt bé en la seva primera novel·la, escrita -com descobreixo després per a decepció de la meva pretensió de la versió original.- en llengua russa encara.
The novel was completely ignored at the time of its first publication – and yet it is a marvellous debut, full of subtle touches and an admirable restraint in telling three stories simultaneously. It is the tale of a first young love, an account of political exile, and the evocation of a dawning poetic imagination
It is also full of what were to become the hallmarks of Nabokov’s mature literary style – verbal playfulness, ironic twists of story line, the juxtaposition of tenderness with the grotesque, and beautiful evocations of the textures of everyday life. https://mantex.co.uk/mary/
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